For those who assume Lumon’s sterile stairwells are creepy, wait till you’ve seen two variations of J.Okay. Simmons stalking one another throughout a Berlin break up not by a wall, however by dimensions. Counterpart is a brainy, noir-soaked spy thriller with simply sufficient high-concept sci-fi to scratch the identical itch as Severance. The premise? A light-mannered UN pencil-pusher named Howard Silk (Simmons) discovers that his group has been guarding a portal to a parallel Earth for many years—and his counterpart, a colder, deadlier model of himself, has crossed over to cease a cross-dimensional chilly conflict from going scorching. Very like Severance, Counterpart weaponizes id—posing unnerving questions on who we’re when stripped of reminiscence, emotion, or the consolation of a single self. And like Severance’s Mark S., Howard is each sufferer and investigator, pressured to untangle not only a thriller, however his personal fractured reflection. Throw in double-crosses, bureaucratic overlords, and some ethically murky lab experiments, and also you’ve bought a present that doesn’t simply echo Severance, it deepens the dialog.
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